Last fall I got a call from Lowepro asking me to shoot a commercial for a new bag they were introducing, The Photo Sport Pro 30L AW. I said "sure no problem, I can shoot that for you." They said "no, you don't have to shoot anything, we want you to be the featured photographer that introduces the bag." "Oh", I said, "well I better get a shave and haircut, ha! " Well, the bag released last week and the video above is my "Testimonial Video" on the bag. A big thanks to Josh Semolik, Canyon Florey and Lite Pro Gear for all of the great shots and making me look as good as I can. Also a big thanks to Cat Keenan and Nina for coming out and modeling for the shoots! You guys rock!
Oh, and the Photo Sport Pro is sick! Get yours at www.lowepro.com/photosport
Tags: backpack 
• camera backpack • camera bag • gear • lowepro • mountains • photo sport pro 30l aw • photography • review • video • video review
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Looking down the Chicago River at the Trump Tower
This past weekend I had the pleasure of visiting the Windy City for a family wedding. My wife and I spent the weekend enjoying the festivities and hanging out with family and friends. On Monday my wife had a business meeting scheduled in the city, giving me a free day to explore and photograph. There were numerous shooting possibilities available, but with limited time I really had to narrow down a good “hit list.”
As with all of my photography, I believe scouting locations (if you can) is one of the most important aspects of creating compelling imagery. Personally, I like to scout in the middle of the day when the light is less than pleasing so I can really take my time coming up with good possible angles and compositions. This was the approach I took on this trip to Chicago and it paid off.
Over the weekend in between wedding festivities, armed with only my phone for a camera, my wife and I visited several of the locations I was interested in photographing. They included: The Cloud Gate Sculpture (known informally as “The Bean”) in Millennium Park, several skyline views from the Adler Planetarium, and different views of downtown along the Chicago River. Since it was my first time photographing Chicago I wanted to start with what I felt were the defining shots of the city. After taking a look at the locations, I decided that everything should be shot from several hours before sunset into the night to achieve the imagery I was looking for.
I took a leisurely day early Monday and in the late afternoon hopped a cab down to The Bean in Millennium Park to kick things off. After shooting The Bean I walked all over downtown for about five hours until I was satisfied with the results.
The shot I was the most excited about was of the Cloud Gate Sculpture in Millennium Park. I don’t normally shoot landscapes or cityscapes with a fisheye lens but I had an idea with The Bean that I wanted to explore. I thought it would be interesting to bend the city around The Bean using a fisheye complimenting the effect that The Bean is so well known for. I figured since The Bean has been bending the Chicago skyline for so long, perhaps it was time to return the favor.
Below is my favorite frame from the shoot.
The Chicago skyline bends around The Bean at night in Millennium Park
Here are a few more of my favorite frames from my night shoot in the city. Thanks Chicago, I’ll be back!
A sculpture in front of the Adler Planetarium frames the Chicago skyline
A person takes a picture of their reflection at night underneath The Bean in Millennium Park
The Chicago skyline is reflected in The Bean in Millennium Park
Tags: chicago • chicago river • city • cityscape • cloud gate • clouds • illinois • lights • night • photography • reflection • sculpture • skyline • the bean • travel • trump tower • usa
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Northern Lights above our camp at Yurtville - Whitehorse, Yukon Territory, Canada
I have always wanted to explore the Yukon Territory in Northern Canada. The Yukon is about the same size as California but only contains 34,000 people. From abundant wildlife to dramatic landscapes to the Northern Lights, it is a photographer’s paradise. Several months ago I was lucky enough to receive an assignment that would take me into the heart of this amazing landscape.
One thing I didn’t know existed in the Yukon was world-class mountain biking. My assignment was to team up with my good friend and fellow Novus Select photographer Trevor Clark for a 10 day video project documenting the lesser known mountain bike trails throughout the territory.
As Trevor and I began planning our trip, the first thing on both of our minds was how we were going to carry all of the photography and video equipment while logging long days on mountain bikes in extremely remote locations.
We let the good folks over at Lowepro know about our dilemma and a couple days later received the not-yet-released Rover Pro 45L AW and the Rover Pro 35L AW. As soon as we saw the packs it was clear that they were going to be absolutely perfect.
The larger Rover Pro 45L AW that I carried
I carried the larger Rover Pro 45L AW and Trevor took the Rover Pro 35L AW. Before leaving, we laid out all the photo and video gear we would be carrying (about 50 pounds apiece) to see if we could get everything in the packs. Not only did we have no problem getting the gear to fit, but there was room to spare for the necessary outdoor gear we would require.
Here is the breakdown.
Camera/video gear that went into my pack (the Rover Pro 45L AW):
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Nikon D7000
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Nikon 70-200mm f/2.8
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Nikon 50mm f/1.8
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Tokina 12-24mm f/4
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Nikon TC-14E-II Teleconverter
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Genius 8 stop ND filter
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Nikon Circular Polarizing Filter
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Dynamic Perception Stage One Motorized Slider/Dolly System
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2 Flashpoint Carbon Tripods
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2 Go Pro Cameras and Mounts
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Zacuto Z Finder Loop
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Manfrotto 55 Mag Photo-Movie Head
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Sennheiser MKE 400 External Mic
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San Disk Extreme Cards
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LowePro Memory Wallet 20
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IPhone
Outdoor Gear
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Two Liter Camelbak Bladder
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2 Tahoe Trail Bars
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First Ascent down jacket
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Bennie
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REI Event Rain Shell
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Spare Inner Tube
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Bike Tool
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Innertube Patch Kit
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Bike Pump
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Tire Irons
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Water Purification Tablets
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Headlamp
All of this gear made for a heavy load but thankfully Lowepro took this into consideration and equipped the bag with a trampoline-style suspension system that performed beautifully. Having 50+ pounds strapped to my back during rough 3,500 foot mountain bike descents was a true testament to this bag’s capability. The bag handled all of the weight with ease and the pack always felt snug on my back.
Aside from the way the pack fit, one of the things I really loved about the Rover Pro was the ability to access all of my camera gear from the front hatch. This meant not having to unpack and repack all of my outdoor gear every time I wanted to set up a shot. That, in conjunction with the customizable modular compartment system, created key timesaving elements that allowed me to move faster and maximize my shooting.
The Rover Pro was an essential part of our Yukon mountain bike film project. It carried all of our gear comfortably and reliably. In the end it did what a great bag is supposed to do – let us focus on making killer content!
Make sure and check out Trevor Clark’s review on his Rover Pro 35L AW on his blog and take a spin through his website to enjoy all of his fantastic work!
For the full skinny and specs on the new Rover Pro visit the Lowepro website. They hit the ball out of the park with this one.
Stay tuned for our short film on our incredible experiences mountain biking in the Yukon. Coming soon!
Tags: backpack • canada • gear • lowepro • nikon • northern lights • photo backpack • photography • review • rover pro • rover pro 35l aw • rover pro 45l aw • whitehorse • yukon
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Camera: Nikon D3s - Lens: Nikon 70-200mm f/2.8 with Nikon 1.4 TC - 1/1600sec f/7.1 ISO 400
I recently ran into a problem shooting skiing and snowboarding this winter. I needed to get a little closer to the action but the longest lens in my kit is the Nikon 70-200mm f/2.8. There were two options to get the added focal length I desired. The first and most expensive option was to purchase the Nikon 200-400 f/4 lens for a whopping $7000. Even as a working pro this would have set my budget back quite a bit. Added to the budget constraints is the physical size and weight of the lens. Coming in at roughly 7.5 pounds the lens is heavy and bulky. When I am shooting skiing and snowboarding I am constantly moving, hiking and snowboarding. Weight and bulk are always large concerns when it comes to gear. Between the weight, bulk and price tag, the 200-400 just didn’t make a lot of sense. The solution? The Nikon TC-14 II 1.4 Auto Focus Teleconverter.
Coming in at a price tag of just under $500 and weighing only 7.5 ouches the 1.4 teleconverter effectively would turn my 70-200 lens into a 98-280mm. This was just the added length I was looking for to get me a little closer to the action. I decided not to go with the Nikon 1.7 or 2.0 converters because of the negative reviews I read on each prior to my purchase. Most people found them to be soft and the extra loss of light from the added length of the teleconverters was unacceptable to me. I was ok with losing one stop of light with the 1.4 but that was it. So what are the pros and cons of the 1.4 TC attached to a Nikon 70-200 f/2.8? I’m glad you asked.
Pros
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Getting closer to the action
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Extremely sharp results – I haven’t noticed any loss in sharpness by adding the 1.4 TC
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Lightweight, small and easy to carry
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No noticeable fringing
Cons
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A loss of a stop of light (it changes the maximum aperture of the f/2.8 to f/4)
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The autofocus is noticeably slower when shooting fast moving subjects. The TC forces the lens to search more when trying to track a fast moving subject. This can be overcome by prefocusing your subject and then continuing to shoot the action. If you simply pick up your camera with the TC attached and quickly try to focus in on a moving subject you will be disappointed.
All in all I am extremely happy with the Nikon TC-14 II 1.4 Auto Focus Teleconverter. It is a great and relatively cheap fix to adding a little extra focal length to my kit. While there are a few shortcomings I believe the positives far outweigh the negatives. I would recommend this setup to anyone looking for a cost effective way to increase their focal length and get a little closer to the action. Happy shooting!
Tags: action • advice • gear • mountains • nikon tc-14 ii 1.4 auto focus teleconverter • photography • review • snowboarding • winter
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Watching the sunrise from the Mesquite Flat Sand Dunes in Death Valley National Park, CA.
It is almost the middle of January in Lake Tahoe and by now I should have a ton of new ski and snowboard images under my belt. Unfortunately this season Mother Nature has other plans. We are currently experiencing one of the driest winter seasons on record and it looks like it is going to last at least another week. It feels more like May than January. There is no snow on the mountains and to sum it up in a word is “depressing.”
To curb my overwhelming desire to bundle up and cram myself into my refrigerator with a few cold ones and pray for winter, I grabbed my fiancée and we headed down to the Eastern Sierra and Death Valley National Park to brighten our mood.
My first goal of the trip was to photograph the Bristlecone Pine trees high in the White Mountains near Bishop, CA. I have photographed the Bristlecone Pines in Great Basin National Park quite extensively, but have never had the opportunity to visit the groves in the White Mountains of California. I wasn’t sure if the road would be open (it usually closes in October after the first snow) but I figured I would give it a shot. Luckily, and completely abnormal for January, the road was good to go.
We got a later start than I wanted to leaving Lake Tahoe and didn’t arrive to the Bristlecone Pine Forest until just after sunset. At first I was upset that I hadn’t given myself time to find some proper compositions but there was still some ambient light left. I did some quick exploring and came up with a few ideas. I knew I would have some moonlight to work with once it got dark and I was counting on using that to make some compelling imagery.
Once the sky was dark enough I began shooting. I shot a few exposures using the available moonlight but after previewing a few, something was missing. I decided to try something new, at least for me. I have shot under moonlight and played around with light-painting quite a bit with great success. I hadn’t however, combined the two. This was the perfect opportunity to give it a try!
An ancient Bristlecone Pine tree in the White Mountains, CA
I put together a composition of an impressive gnarled Bristlecone that I really liked. I set the camera to Bulb mode and opened the shutter for 160 seconds. While the shutter was open I used my headlamp to paint the tree from the side for about 45 seconds. I painted the tree from the side to give it some added depth. If I had lit the tree head on it would have given it a flat effect. After the first exposure I checked my preview and was thrilled with the results! I was really pleased with the combination of ambient moonlight and artificial light from my headlamp. The Bristlecone pines are such an oddity in nature to begin with (they are the oldest single living organisms on earth) and I have always wanted to make an image that really conveyed that. I finally felt like I succeeded.
With a winner in the bag, we made our way back down to the valley floor and headed for the Alabama Hills outside of Independence, CA. There, we set up camp.
I awoke early the next morning below the shadow of Mount Whitney and hiked over to Mobius and Lathe Arch to photograph sunrise. Both provide an excellent feature to photograph at sunrise. In the case of both arches it is possible to frame Mount Whitney (the highest peak in the contiguous US) and Lone Pine Peak perfectly in the negative space of both arches. As the first rays of light spill over the horizon lighting up the entire Eastern Sierra, it is truly a site to behold.
The Mobius Arch frames Mount Whitney and the Eastern Sierra Nevada at sunrise in the Alabama Hills, CA.
After shooting for about an hour I had everything I needed. We drove down to town, grabbed some breakfast and continued on to Death Valley National Park.
Having photographed in Death Valley before, I had a good idea of what I was looking for. On my previous trip most of my time was concentrated on photographing the famous Racetrack and the Zabriskie Point area. My goal with the limited time I had on this trip was to put my efforts towards creating some fresh imagery of Badwater Basin (the lowest point in the North America) and the Mesquite Flat Sand Dunes.
Regina (my fiancée) was really excited to do some yoga in a spectacular location and I thought a late afternoon photo shoot in Badwater Basin would be perfect. I could photograph her in a variety of poses in a surreal setting and could then switch gears and photograph some dynamic landscapes once the sun set. We styled her out in some clothing that I liked and off we went.
Regina performing Lord of the Dance Pose (Natarajasana) in the Badwater Basin area of Death Valley National Park
The shoot went better than expected. The white salt surface of Badwater Basin provided the perfect natural reflector (similar to snow) to soften the harsh shadows of the late afternoon light. It balanced the scene out perfectly. The combination of the surreal landscape and yoga made for some great imagery that will surely sell in the commercial stock photography market.
Regina performs the One-Legged Inverted Staff Pose (Eka Pada Viparita Dandasana) in the Badwater Basin area of Death Valley National Park
After the sun set I stayed out on Badwater Basin for another hour composing a variety of landscape images. What a dreamlike place! Absolutely spectacular!
Badwater Basin at sunset
The next morning Regina and I awoke early and made our way over to the Mesquite Flat Sand Dunes. We arrived early enough to give ourselves time to hike out a good distance on the dunes and scout a location to shoot before the actual sunrise.
We found a few spots we were happy with and began shooting. Early morning and late afternoon are the ideal times to shoot on the sand dunes. When the sun is high overhead it illuminates all sides of the dunes and it doesn’t translate very well photographically. The drama of the shadows at the beginning and end of the day provide the best chance to create dramatic imagery. We shot for over an hour until I was happy with a variety of different scenarios. It was a really fun morning.
Running down the sand dunes at sunrise in Death Valley National Park
After photographing on the sand dunes it was time to drive home. For two days of shooting I was extremely happy with the results. I was the most pleased with my frame from the Bristlecone Pine Forest. I am excited to use the technique of combining moonlight and artificial light in more photo shoots down the road. There is a lot of possibility for unique imagery using that technique and I’m excited to explore it further.
Once again I sit back in my office in Lake Tahoe getting all of these images out into the market. As much as I enjoyed this trip I would really like to start seeing some snow fall in Lake Tahoe. If any of you readers out there have some free time be sure and wash your car, do a snow dance and PRAY FOR SNOW! Until next time…
Tags: badwater basin • bristlecone pine • california • death valley national park • desert • eastern sierra • mount whitney • mountains • photography • running • sand • sand dune • sunrise • travel • tree • usa • white mountains • woman • yoga
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